We teamed up with Christopher Farr Cloth as we are both celebrating 25 years in business and have represented this artisan brand for more than 10 years. There were lots of patterns we could have chosen but Richmond is in keeping with the style our clients love. It bridges contemporary and traditional, spanning a wide age range with the two colourways we have chosen.
The pattern was originally designed by the late Michael Szell, a flamboyant Hungarian-born textile designer by appointment to the late Queen Elizabeth II. He supplied sumptuous, colourful fabrics to embassies, historic houses and royal palaces, and counted the Shah of Iran, Paul Getty and Ava Gardner among his clients. The pattern was originally created for Princess Anne’s daughter’s bedroom during Szell’s time as an interior designer for the royal family. It has been reprinted since, most famously for the King’s Coronation on 6 May 2023, so it has an illustrious history.
Christopher Farr Cloth uses the independent, family-owned textile printing company Ivo Textiles, to reproduce their printed fabrics and wallpapers. Founded in 1963 by Ivo Tonder, along with Ellen and Victor Haas, it is the latters’ son Michael who now runs the show, having started helping out aged 12. Ivo’s client list includes a Who’s Who of renowned designers: Celia Birtwell, Ossie Clark, Zandra Rhodes, Biba, Vivienne Westwood and Kit Kemp. Based near Heathrow in a 37,000 sq ft warehouse, it currently employs more than 40 skilled craftsmen and technicians. By blending traditional hand-printing techniques with modern digital methods, it provides an artisanal service of the highest quality.




We started our visit to the Ivo printworks by looking at some of Michael Szell’s archive collection, including the stunning Oriental Express. I remember visiting Micheal Szell's showroom on Sloane Avenue. The majority of his prints were done on silks and moire fabrics; it was fantastic to see these again. A particular favourite of mine has always been the Peonies design, which Ivo still prints today for Christopher Farr Cloth.
We then went on a tour around the factory, which I found particularly interesting, seeing all the different techniques plus the amazing archive of rotary cylinders and screens. Michael gave us a fantastic tour. He explained how the linen industry has had a tough few years. Until recently, linen has been made from a portion of crops from the three previous years, but as our climate has changed, this has not been possible as the crops have been so poor. Luckily, this year has been a good one, which will hopefully mean that linen supply over the coming years will be good, and therefore keep the prices more stable. The base cloth is extremely important to Christopher Farr Cloth and they use only the highest-quality linen from Belgium.
Before our arrival, Christopher Farr Cloth’s design director Nina Luminati and UK sales manager Claire Keen had already been hard at work with the Ivo technicians to mix the new paint colours we had chosen for our anniversary fabrics, a highly skilled and critical task. We were also introduced to the legendary printer, Podge – we never found out his real name as he has been known as Podge since a small child – who has been a member of the Ivo team since he was 16. We were also joined by his son Chris , who has followed in his father’s footsteps. Podge started printing our test samples using a Gali, which is a semi-automated method of hand printing.
Hand printing requires a separate screen for each colour in the design, in this case, four screens per colourway, allowing every shade to be refined individually. Nina guided us through the process, explaining that it can take an entire day of test prints to perfect the desired tones. In the New Rose colourway, the two greens within the leaves initially appeared too heavy, so the colour experts carefully lightened both shades, reprinting the design in two variations until the balance was beautifully achieved.


I joined Christopher Farr as an intern straight after graduating from Central Saint Martins 11 years ago. I came from a weaving background and had always admired the brand’s ability to merge contemporary design with traditional techniques. After my internship, I was lucky enough to stay on as a design assistant – back when there were only three of us on the team. I was answering phone calls, processing orders and learning everything I could about the business. Over time, I worked my way up to design director, which has been an incredibly rewarding journey.
Every design represents a different creative journey, so it’s hard to single out one favourite. But the Sandra Blow collection will always hold a special place for me. It was the first collection I led from start to finish. I visited Sandra’s niece and nephew, searched through hundreds of this British abstract artist’s Polaroids showing her creative process, and even stood in front of her original 3m-wide canvases made from torn fabric. The colour compositions were extraordinary. It was also technically groundbreaking for us, as we used new digital technology to print a matte white ink onto a textured raffia ground, allowing us to stay true to the original quality of her canvases.
In terms of favourite fabrics, I am making some bench seating for my house in our Lapaz Nero fabric. It ties in nicely with the Tuscan red and soft sage colours I have in my kitchen. Next on my list, I would love to make curtains from our Mille Feuilles design by Raoul Dufy.
Without question, collaborations are the most enjoyable part of my job. Every project brings together such a range of creative minds – artists, craftspeople, printers and designers – and that constant exchange of ideas is what keeps me inspired. I love the process of bringing an artist’s vision to life, turning it into something tactile and timeless, and watching designers weave those creations into spaces that become part of people’s everyday lives.
It's the variety that makes this job so exciting, but one particularly proud moment was winning Best Wallpaper Design at the Homes & Gardens Awards for our Monsoon mural. I had painted it in the studio, inspired by the women in India who decorate the walls of their mud huts with intricate charcoal murals – only for the monsoon rains to wash them away each year and for them to begin again. That sense of impermanence and renewal felt so meaningful. To see that design recognised was incredibly special.
"Without question, collaborations are the most enjoyable part of my job. Every project brings together such a range of creative minds"






The New Indigo/Carmen sample was screen printed by hand using the oldest traditional method, which requires two people, with Podge showing me how to do it. Ivo owner Michael had already explained that when screen printing, it was important to keep the flow of movement going, that it is like a dance down the table, not just a matter of pulling some paint across a screen. It is hard work to keep the right pressure all the way across the screen and stretching far enough to hand over to Podge without going crooked. Apparently, I was a natural. I can’t imagine doing 50 metres this way – which is why they use a Gali.
After several rounds of testing, refining and colour adjustments, the final designs Richmond in Rose and Indigo/Carmen perfectly capture the essence of F&P Interiors’ aesthetic: timeless, versatile and beautifully balanced between classic and contemporary. The journey to bring these exclusive anniversary colourways to life has been a true celebration of craftsmanship, heritage and collaboration.
From exploring Michael Szell’s archives and revisiting his iconic designs to working closely with Christopher Farr Cloth’s talented team and the skilled artisans at Ivo Textiles, every stage reflected the passion and artistry that define both brands. This joint anniversary collection not only honours 25 years of shared creativity and partnership, but also celebrates the enduring value of traditional craftsmanship in modern design. We’re thrilled to introduce these exclusive fabrics to our clients, a fitting tribute to a milestone year and a lasting symbol of everything we stand for: quality, artistry and individuality.




F&P Interiors is passionate about inspiring customers to create timeless, beautiful spaces to cherish. We bring artistry to every detail with a carefully curated selection of designer fabrics, wallpapers and furnishings from exceptionally crafted sofas to bespoke curtains and cushions.
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