British designer Molly Mahon is known for her original hand block fabrics, wallpapers and luxury accessories for the home.
Inspired by her natural surroundings, both at home and on her travels in India, Molly works with artisan craft men and women to produce the signature prints that form her eclectic and vibrant home furnishings collection.
Tucked away in her studio situated in the beautiful Ashdown Forest in Sussex, Molly takes some time out to talk to us about her love for East Asian textiles, potato printing and what the future holds for this well loved brand.
I love the instant gratification of lifting the block. I love seeing a repeat pattern growing along the print table and I love the versatility of where the designs can be used-through cushions, curtains, lampshades, into fashion and bedding etc! I am very passionate about the hand printed look and the freedom that is created by using this method. There is no doubt that a hand block printed piece of fabric carries the passion and story of each printer. The beauty lies in the simplicity of the process that in India has remained unchanged for hundreds of years.
I first fell in love with block printing when I took a course in London and I was immediately hooked. I then planned a big trip to India with my sister and from the moment when I stepped off the plane into the warm dusty air and then out into the bustling streets, I felt like I had fallen into a romantic novel! The noises, the colours, the energy, so different to home and so enthralling, exotic and appealing. What was a one off trip has become a bi-annual pilgrimage that hugely excites. The architecture, the patterns, the colour, all of these wonderfully uplifting elements of India can be seen more and more in my work.
My Kitchen. It’s where the vast majority of our day happens. Life at the kitchen table sweeps like a tide, one minute its covered in ephemera for breakfast then its cleared for some creativity or home work space, before the tide sweeps in again and supper is laid... it’s the beating heart of the kitchen surrounded by soft spaces for lounging, our beloved Everhot cooker, the dresser with all my favourite crockery, the dog bed, the sink, pots and pots of geraniums and so forth. So much happens here, it has to therefore be my favourite space.
There are rather a few, but I could name Cath Kidston for being so successful with her business and for creating something so universally loved.
Vanessa Bell for her creative freedom and expressive way of house decoration and the block printers of Jaipur for their dedication and passion for their craft.
Well I am just so thrilled with all our new designs that make up the Greencombe collection that we launched earlier this year, but the Dianthus design is a real stand out for me right now.
I just incorporated it as curtains in to a collaboration with Christies and was thrilled to see the long lengths of it hanging against their large sash windows.
I am very much looking with hope towards 2022, we have a really exciting schedule of workshops in the pipeline and I am busy developing some fresh new table linen designs incorporating more bold colours and lovely floral prints.
I have recently bought a marbling kit and am slowly becoming rather addicted to all the swirling colours and amazing patterns that can be achieved.
Running someones expansive estate in Scotland!
A slow one! There is so much rushing about, making packed lunches, getting to school on time, that I love a slower Sunday… steaming cups of coffee, walks in the forest and giggles with my family around our fireplace with cake and hot chocolate. That to me is perfection. And, if I can fit in a little session in my studio that really is the icing on the cake!
We've got everything you need to recreate this stylish pink and green modern country living room in your own home. This on trend look mixes classic antique furniture with a modern twist on pattern and colour, and features one of Molly Mahon's most popular fabric designs.
Mixing pattern within an interior scheme creates dynamic spaces, filled with energy and textural interest. But between colours, scales and pattern, we understand that it can seem a little overwhelming at first. But there are some simple rules you can follow to conquer your pattern-mixing phobia...
Images provided by Molly Mahon and credits include Emma Lewis Photographer, Sarah Weal Photography and Conde Nast / Sarah Hogan Photography Ltd